이미지번호|시작클립|끝클립|등장인물|프롬프트|켄번즈
1|1|2|Yunssi_Buin|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a gracefully beautiful noblewoman in her early 50s with refined elegant features and a poised bearing, her hair in a low chignon secured with a silver binyeo hairpin, wearing a jade-green jeogori jacket with white goreum ribbon ties over a deep plum chima skirt, white beoseon socks with black leather flat shoes with upturned toes, eyes stretched wide and mouth hanging open, both hands flying up in front of her chest with her body recoiling backward, standing on the raised wooden veranda of a tile-roofed mountain village nobleman house at dawn, brown and black goats shoving through the open wooden gate into the packed-earth courtyard below her, rows of clay jangdokdae jars and a persimmon tree crowding the yard, soft early morning light spreading across the tiled roof, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|zoom-in
2|3|3|Myeoneuri|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a twelve-year-old girl with bright clear eyes and round soft cheeks, her black hair in a single thick braid tied with a red daenggi ribbon, wearing a worn undyed cotton jeogori and a dark navy chima with the hem tucked up at the waist, closed woven straw jipsin shoes, sweat beading along her temples, jaw set firm with brows drawn tight, both small hands clenched around thick twisted rope leads with her heels dug into the dirt and shoulders squared, standing in the middle of a hundred bleating goats swarming edge to edge across the packed-earth courtyard of a tile-roofed mountain village house, goats shoving against the clay jangdokdae jars and clambering over a straw broom, dust rising throughout the composition, wooden gate thrown open behind them, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|zoom-out
3|4|5|Han_Yeonggam|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a distinguished and handsome man in his late 60s with strong noble weathered features and a distinguished silver beard, wearing a dove-gray dopo overcoat with wide sleeves over a white inner jeogori and dark navy baji trousers, white beoseon socks with black leather taesahye shoes with upturned toes, a black horsehair gat hat, brows slammed together and jaw clenched hard, one arm still thrust out pointing at the goats while his whole body halts rigid mid-stride with weight caught on the back foot, standing on the stone step of the men's outer quarters sarangchae, the goat-covered packed-earth courtyard of a tile-roofed mountain village house extending behind him, paper sliding doors and thick wooden pillars framing the porch, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|right-to-left
4|6|8|Han_Yeonggam|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a distinguished and handsome man in his late 60s with strong noble weathered features and a distinguished silver beard, wearing a disheveled dove-gray dopo overcoat hanging open over a white inner jeogori and dark navy baji trousers, white beoseon socks with black leather taesahye shoes with upturned toes, his black horsehair gat hat knocked askew, eyes stretched wide and mouth hanging open, both hands gripping the timber door frame with his body pitched forward mid-run, bursting into the doorway of a wooden storage shed, an overturned empty wooden chest and scattered straw sacks covering the earthen floor inside, a hanging oil lamp swinging above, morning light cutting through the open door, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|zoom-in
5|9|10|Han_Yeonggam|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a distinguished and handsome man in his late 60s with strong noble weathered features and a distinguished silver beard, wearing a disheveled dove-gray dopo overcoat hanging open over a white inner jeogori and dark navy baji trousers, white beoseon socks with black leather taesahye shoes with upturned toes, his black horsehair gat hat knocked askew, eyes squeezed tight and mouth wrenched open with deep creases across his forehead, one fist crushing an empty cloth bojagi wrapper against his chest while the other arm flings out toward the goats, staggering forward off balance into the packed-earth courtyard of a tile-roofed mountain village house, a hundred goats pressing around him edge to edge, the wooden storage shed door hanging open behind, dust hanging throughout the scene, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|left-to-right
6|11|12|Han_Yeonggam|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a distinguished and handsome man in his late 60s with strong noble weathered features and a distinguished silver beard, wearing a disheveled dove-gray dopo overcoat hanging open over a white inner jeogori and dark navy baji trousers, white beoseon socks with black leather taesahye shoes with upturned toes, his black horsehair gat hat knocked askew, eyes brimming and lips trembling with brows twisted upward, both hands clutching the crumpled empty bojagi wrapper against his chest, knees folded under him and body collapsed low with shoulders caved forward, sitting in the dirt of the packed-earth courtyard of a tile-roofed mountain village house, goats crowding close around his slumped figure, clay jangdokdae jars knocked crooked behind him, low morning sun stretching long shadows across the yard, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|top-to-bottom
7|13|14|Yunssi_Buin, Han_Yeonggam|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a gracefully beautiful noblewoman in her early 50s with refined elegant features and a poised bearing, her hair in a low chignon secured with a silver binyeo hairpin, wearing a jade-green jeogori jacket with white goreum ribbon ties over a deep plum chima skirt, white beoseon socks with black leather flat shoes with upturned toes, brows slammed down and lips drawn back with her chin thrust forward, one arm shaking as she points accusingly ahead while her other hand grips her own sleeve, leaning aggressively forward with feet planted wide on the wooden veranda, and behind her a distinguished and handsome man in his late 60s with strong noble weathered features and a distinguished silver beard, wearing a dove-gray dopo overcoat with wide sleeves over a white inner jeogori and dark navy baji trousers, white beoseon socks with black leather taesahye shoes with upturned toes, a black horsehair gat hat sitting slumped in the dirt with his head bowed low, the goat-filled packed-earth courtyard of a tile-roofed mountain village house spreading around them, paper sliding doors and a folding screen visible through the open room, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|zoom-in
8|15|17|Villagers|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a crowd of Joseon-era commoner villagers, handsome and beautiful men and women in their 30s and 40s with strong clear features, wearing plain undyed cotton jeogori and baji or simple hemp jeogori and chima, cloth headbands and closed woven straw jipsin shoes, brows raised and lips pursed with tongues clicking, hands cupped beside mouths and fingers pointing over the wall, bodies pressed shoulder to shoulder and necks craned forward, packed along a low stone-and-earth wall filling the frame, the goat-covered packed-earth courtyard of a tile-roofed mountain village house visible beyond the wall, thatched roofs and bare persimmon branches extending across the background, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|left-to-right
9|18|20|Villagers|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, two Joseon-era commoner villagers, a strikingly handsome man in his 40s with a sharp defined jawline wearing a plain undyed cotton jeogori and baji with a cloth headband and closed woven straw jipsin shoes, and a gracefully beautiful woman in her 40s with refined features wearing a coarse hemp jeogori and gray chima with her hair in a low chignon and closed woven straw jipsin shoes, eyebrows shooting up and mouths twisted with disbelief, one hand clapping against the other palm and a finger circling near the temple, bodies leaning in toward each other over a low stone wall, the goat-covered packed-earth courtyard of a tile-roofed mountain village house crowding the background, thatched roofs and a dirt village lane extending across the scene, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|right-to-left
10|21|22|Han_Yeonggam, Myeoneuri|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a distinguished and handsome man in his late 60s with strong noble weathered features and a distinguished silver beard, wearing a disheveled dove-gray dopo overcoat hanging open over a white inner jeogori and dark navy baji trousers, white beoseon socks with black leather taesahye shoes with upturned toes, his black horsehair gat hat knocked askew, eyes blazing and jaw clenched with brows slammed together, one arm raised and finger jabbing downward, chest thrust forward with feet planted wide, towering over a twelve-year-old girl with bright clear eyes and round soft cheeks, her black hair in a single thick braid tied with a red daenggi ribbon, wearing a worn undyed cotton jeogori and a dark navy chima with the hem tucked up at the waist, closed woven straw jipsin shoes who stands small and unmoving before him, her chin tucked and eyes steady beneath drawn brows, both fists locked tight around the thick rope leads with her heels dug in and shoulders braced, a hundred goats pressing around them throughout the packed-earth courtyard of a tile-roofed mountain village house, clay jars and an open wooden gate behind, charged tense atmosphere, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|zoom-in
11|23|25|Myeoneuri, Han_Yeonggam, Yunssi_Buin|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a twelve-year-old girl with bright clear eyes and round soft cheeks, her black hair in a single thick braid tied with a red daenggi ribbon, wearing a worn undyed cotton jeogori and a dark navy chima with the hem tucked up at the waist, closed woven straw jipsin shoes, eyes glistening and lips trembling with brows lifted, both hands pressed flat on the ground before her and the rope leads still looped around one wrist, kneeling and bowing her forehead low to the packed earth with her whole body folded small, while a distinguished and handsome man in his late 60s with strong noble weathered features and a distinguished silver beard, wearing a dove-gray dopo overcoat with wide sleeves over a white inner jeogori and dark navy baji trousers, white beoseon socks with black leather taesahye shoes with upturned toes, a black horsehair gat hat stands rigid above her with arms stiff at his sides and a gracefully beautiful noblewoman in her early 50s with refined elegant features and a poised bearing, her hair in a low chignon secured with a silver binyeo hairpin, wearing a jade-green jeogori jacket with white goreum ribbon ties over a deep plum chima skirt, white beoseon socks with black leather flat shoes with upturned toes stands beside him with arms folded across her chest, goats crowding the packed-earth courtyard of a tile-roofed mountain village house edge to edge around the bowed child, dust and morning light spreading through the yard, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|top-to-bottom
12|26|27|Yunssi_Buin|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a gracefully beautiful noblewoman in her early 50s with refined elegant features and a poised bearing, her hair in a low chignon secured with a silver binyeo hairpin, wearing a jade-green jeogori jacket with white goreum ribbon ties over a deep plum chima skirt, white beoseon socks with black leather flat shoes with upturned toes, one eyebrow arched high and the corner of her lips curled into a cold smirk with her chin tilted up, one hand resting on her hip and the other flicking dismissively, standing tall with her weight on one leg and her body angled away as she looks down, on the raised wooden veranda of the tile-roofed house, the bowed child and the crowding goats small in the packed-earth courtyard of a tile-roofed mountain village house below her, paper sliding doors and a folding screen behind, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|zoom-in
13|28|31|Han_Yeonggam, Yunssi_Buin|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a distinguished and handsome man in his late 60s with strong noble weathered features and a distinguished silver beard, wearing a disheveled dove-gray dopo overcoat hanging open over a white inner jeogori and dark navy baji trousers, white beoseon socks with black leather taesahye shoes with upturned toes, his black horsehair gat hat knocked askew, steady piercing gaze with jaw set firm and lips sealed, one hand closed into a fist at his side and the other lifted flat to halt his wife, standing straight with squared shoulders and chin level, and a gracefully beautiful noblewoman in her early 50s with refined elegant features and a poised bearing, her hair in a low chignon secured with a silver binyeo hairpin, wearing a jade-green jeogori jacket with white goreum ribbon ties over a deep plum chima skirt, white beoseon socks with black leather flat shoes with upturned toes beside him with her mouth caught half open and brows knitted, her hands frozen mid-gesture, on the stone step of the men's outer quarters sarangchae, the goat-filled packed-earth courtyard of a tile-roofed mountain village house and the bowed child spreading behind them, heavy overcast light across the tiled roof, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|bottom-to-top
14|32|32|Han_Yeonggam, Myeoneuri|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a distinguished and handsome man in his late 60s with strong noble weathered features and a distinguished silver beard, wearing a disheveled dove-gray dopo overcoat hanging open over a white inner jeogori and dark navy baji trousers, white beoseon socks with black leather taesahye shoes with upturned toes, his black horsehair gat hat knocked askew, eyes narrowed to a hard focus with brows lowered and lips pressed thin, one arm extended and a finger leveled straight down at the kneeling child, body angled forward with weight on the front foot, looming over a twelve-year-old girl with bright clear eyes and round soft cheeks, her black hair in a single thick braid tied with a red daenggi ribbon, wearing a worn undyed cotton jeogori and a dark navy chima with the hem tucked up at the waist, closed woven straw jipsin shoes who kneels bowed low with her forehead near the ground and her fists closed on the rope leads, goats crowding the packed-earth courtyard of a tile-roofed mountain village house throughout the frame, the roof of the distant government office gwana visible over the wall beyond, tense confrontational atmosphere, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|zoom-in
15|33|34|Myeoneuri, Villagers, Han_Yeonggam, Yunssi_Buin|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a twelve-year-old girl with bright clear eyes and round soft cheeks, her black hair in a single thick braid tied with a red daenggi ribbon, wearing a worn undyed cotton jeogori and a dark navy chima with the hem tucked up at the waist, closed woven straw jipsin shoes kneeling bowed low with her forehead to the packed earth and her shoulders drawn in, not lifting her head, surrounded by a hundred goats filling the packed-earth courtyard of a tile-roofed mountain village house edge to edge, while Joseon-era commoner villagers in plain cotton jeogori and closed woven straw jipsin shoes crowd the low stone wall with hands cupped beside their mouths and heads shaking, and a distinguished and handsome man in his late 60s with strong noble weathered features and a distinguished silver beard, wearing a dove-gray dopo overcoat with wide sleeves over a white inner jeogori and dark navy baji trousers, white beoseon socks with black leather taesahye shoes with upturned toes, a black horsehair gat hat and a gracefully beautiful noblewoman in her early 50s with refined elegant features and a poised bearing, her hair in a low chignon secured with a silver binyeo hairpin, wearing a jade-green jeogori jacket with white goreum ribbon ties over a deep plum chima skirt, white beoseon socks with black leather flat shoes with upturned toes stand silent on the veranda with arms stiff at their sides, heavy stillness settling over the yard, gray overcast light spreading throughout the composition, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|zoom-out
16|35|35|Myeoneuri|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, the small hands of a twelve-year-old girl wearing worn undyed cotton jeogori sleeves gripping thick twisted rope goat leads, fingers locked so tightly the knuckles stand out sharp and the tendons pull taut across the back of her hands, wrists trembling, filling the near frame above the packed earth of a mountain village courtyard, coarse goat hair and dust-covered hooves crowding just behind, frayed rope fibers and dirt extending across the scene, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|zoom-in
17|36|36|Myeoneuri, Villagers|Korean manhwa style illustration with soft anime illustration, clean line, flat gentle shading, a twelve-year-old girl with bright clear eyes and round soft cheeks, her black hair in a single thick braid tied with a red daenggi ribbon, wearing a worn undyed cotton jeogori and a dark navy chima with the hem tucked up at the waist, closed woven straw jipsin shoes kneeling bowed low at the center of the packed-earth courtyard of a tile-roofed mountain village house, her braided head down and her fists closed on the rope leads, a hundred goats swarming around her edge to edge and pressing to the stone walls, villagers in plain cotton jeogori and closed woven straw jipsin shoes ringing the low wall with heads turned toward her, the tile-roofed house and clay jangdokdae jars extending across the background, long golden late afternoon light stretching shadows throughout the yard, quiet weight hanging over the scene, filling frame, no text, no watermark, no modern sandals, no flip-flops, no slippers|none
